{"id":5862,"date":"2026-08-30T04:06:42","date_gmt":"2026-08-30T04:06:42","guid":{"rendered":"https:\/\/www.cambodianlivingarts.org\/en\/?p=5862"},"modified":"2026-08-30T04:15:39","modified_gmt":"2026-08-30T04:15:39","slug":"panel-2-producing-and-supporting-performing-arts-works","status":"publish","type":"post","link":"https:\/\/www.cambodianlivingarts.org\/en\/archive\/events\/panel-2-producing-and-supporting-performing-arts-works\/","title":{"rendered":"Panel 2: Producing and Supporting Performing Arts Works"},"content":{"rendered":"\n

Why These Panels?<\/h2>\n\n\n\n
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These panels bring together festival directors, curators, programmers, producers, and institutional leaders working across performing arts organisations in Asia-Pacific and Europe. They explore how performing arts works are selected, produced, and supported, and how they move through organisations, collaborations, and networks.<\/p>\n\n\n\n

The overall discussion focuses on how artistic decisions are shaped in programming, and how it is sustained through both programming decisions and the systems that allow it to circulate and continue.<\/p>\n\n\n\n

Panel 2: Producing and Supporting Performing Arts Works <\/strong><\/h2>\n\n\n\n
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This panel focuses on what happens after a work is created: how it is produced, developed, and supported over time through the systems around it. It looks at how artistic work is sustained through co-production, partnerships, and long-term collaboration between festivals, venues, and cultural networks.<\/p>\n\n\n\n

Bringing together Adrien de Van (Th\u00e9\u00e2tre Paris-Villette), Peangdao Jariyapun (BIPAM), Rama Thaharani (Kelola Foundation \/ Indonesian Producer Network), and Marie Sorbier (Producer, France Culture), the panel gathers producers and institutional actors working across production structures, programming support, and collaborative networks.<\/p>\n\n\n\n

The discussion explores how works are developed and sustained beyond their initial creation through collaboration between institutions, networks, and platforms. It also considers how these systems shape the long-term trajectory and continuity of performing arts works.<\/p>\n\n\n\n

Speakers<\/h2>\n\n\n\n
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This panel brings together cultural leaders, independent producers, festival directors, journalists, and arts professionals from Southeast Asia and Europe, offering different perspectives on how performing arts are developed, produced, presented, and connected with audiences.<\/p>\n\n\n\n

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Rama THAHARANI<\/h2>\n\n\n\n

Director of Kelola<\/p>\n<\/div>\n\n\n\n

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Peangdao JARIYAPUN<\/h2>\n\n\n\n

Core member of BIPAMand independent producer<\/p>\n<\/div>\n\n\n\n

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Beno\u00eet BRADEL<\/h2>\n\n\n\n

Director of Passages Transfestival
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Marie SORBIER<\/h2>\n\n\n\n

Journalist and producer at France Culture<\/p>\n<\/div>\n\n\n\n

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Why These Panels? These panels bring together festival directors, curators, programmers, producers, and institutional leaders working across performing arts organisations in Asia-Pacific and Europe. They explore how performing arts works are selected, produced, and supported, and how they move through organisations, collaborations, and networks. The overall discussion focuses on how artistic decisions are shaped in […]<\/p>\n","protected":false},"author":3,"featured_media":5870,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,10],"tags":[],"class_list":["post-5862","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chakto-ii","category-events"],"_links":{"self":[{"href":"https:\/\/www.cambodianlivingarts.org\/en\/wp-json\/wp\/v2\/posts\/5862"}],"collection":[{"href":"https:\/\/www.cambodianlivingarts.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cambodianlivingarts.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cambodianlivingarts.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cambodianlivingarts.org\/en\/wp-json\/wp\/v2\/comments?post=5862"}],"version-history":[{"count":6,"href":"https:\/\/www.cambodianlivingarts.org\/en\/wp-json\/wp\/v2\/posts\/5862\/revisions"}],"predecessor-version":[{"id":5877,"href":"https:\/\/www.cambodianlivingarts.org\/en\/wp-json\/wp\/v2\/posts\/5862\/revisions\/5877"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cambodianlivingarts.org\/en\/wp-json\/wp\/v2\/media\/5870"}],"wp:attachment":[{"href":"https:\/\/www.cambodianlivingarts.org\/en\/wp-json\/wp\/v2\/media?parent=5862"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cambodianlivingarts.org\/en\/wp-json\/wp\/v2\/categories?post=5862"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cambodianlivingarts.org\/en\/wp-json\/wp\/v2\/tags?post=5862"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}