{"id":175,"date":"2022-12-14T06:58:03","date_gmt":"2022-12-14T06:58:03","guid":{"rendered":"https:\/\/www.cambodianlivingarts.org\/en\/?p=969"},"modified":"2023-06-01T07:37:01","modified_gmt":"2023-06-01T07:37:01","slug":"bangsokol-a-requiem-for-cambodia","status":"publish","type":"post","link":"https:\/\/www.cambodianlivingarts.org\/kh\/archive\/bangsokol-a-requiem-for-cambodia\/","title":{"rendered":"\u178f\u1793\u17d2\u179a\u17d2\u178f\u17b8\u1794\u1784\u17d2\u179f\u17bb\u1780\u17bc\u179b"},"content":{"rendered":"\n
\n
<\/span>\"\"
\n

<\/p>\n<\/div><\/div>\n<\/main>\n\n\n\n

\n
\n
\n

THE STORY <\/strong><\/h2>\n\n\n\n
\n
\n

Bangsokol: A Requiem for Cambodia is a multi-disciplinary stage production combining music, film, movement and voice. HIM Sophy\u2019s composition embraces musical traditions from both Cambodia and the West, while Rithy PANH\u2019s poetic visuals tell the story of Cambodia\u2019s tragedy. <\/p>\n\n\n\n

Bangsokol hopes to serve as an inspiration for post-conflict societies around the world \u2013 to rebuild, transmit and innovate through arts. It offers a space for healing for those who have suffered violent conflict and forced migration, and honors those who have passed away. With a cast of performers from the emerging to the iconic, Bangsokol: A Requiem for Cambodia is an essential act of memory, reconciliation and peace.<\/p>\n<\/div>\n\n\n\n

\n

It is the first major symphonic work that addresses the traumas of the late 1970s in Cambodia, and the first collaboration between contemporaries Rithy PANH and HIM Sophy, both survivors of the Khmer Rouge and now at the forefront of Cambodia\u2019s cultural renaissance.<\/p>\n\n\n\n

The word \u2018bangsokol\u2019, references both the white cloth placed over the deceased during a Buddhist funeral and the ritual surrounding the removal of the cloth. It is through this ritual that the spirits of the dead find rest. Bangsokol: A Requiem for Cambodia<\/em> is an act of cultural renewal; it aims to return the arts to the heart of Cambodian society. It seeks to become a memorial for peace, honoring all victims of violent conflict. Performed in Paris, New York, Boston, Melbourne, and Phnom Penh<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n

Bangsokol: A Requim for Cambodia Gallery <\/h2>\n\n\n\n
\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
\n
\n
<\/div>\n\n\n\n

THE PEOPLE BEHIND BANGSOKOL<\/p>\n\n\n\n

Creative Team<\/h2>\n\n\n\n
\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Him Sophy<\/h2>\n\n\n\n

Composer<\/p>\n\n\n\n

Trained at the Moscow Conservatory of Music as well as the Royal University of Fine Arts in Phnom Penh, Dr. HIM Sophy brings a unique perspective to Bangsokol<\/strong>. His previous works, including the acclaimed rock opera Where Elephants Weep<\/em>, have demonstrated an unparalleled facility for bringing Western and Khmer musical worlds into intimate conversation. This time, he combines a Western chamber orchestra and chorus with Khmer instrumentalists and vocalists. The traditional Khmer musical forms represented include several endangered forms of funeral music, such as kong skor<\/em>, smot<\/em>, and pin peat<\/em>. These traditional musical forms are crucial for honoring the dead; unfortunately, live performances are seldom heard in the capital and rapidly disappearing in the countryside.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

Rithy Panh<\/h2>\n\n\n\n

Director, Designer, Film Maker<\/p>\n\n\n\n

Rithy PANH, named Asian Filmmaker of the Year by the Busan International Film Festival in 2013, is an internationally and critically acclaimed Cambodian documentary director and screenwriter who received his formal education at the Institute for High Cinematographic Studies in Paris. He is the first Cambodian filmmaker ever to be nominated for an Oscar\u2014for The Missing Picture<\/em> in 2013. In the same year he received a prize in the \u201cUn Certain Regard\u201d category at the Cannes Festival. He has also directed many documentaries, including S-21: The Khmer Rouge Killing Machine<\/em>, for which he was awarded the prestigious Albert Londres Prize in 2004. Most recently, he worked as producer for Angelina Jolie\u2019s film First They Killed My Father<\/em>, which is due to be released in 2017.<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

\u201cWhen I composed the requiem I relived the feelings I had during the Khmer Rouge times. It was hell on earth. It is important for the requiem to be shown around the world so that everyone can see that tragedy is a shared experience. There is hope in creation. I always tell people, \u2018Remember, never forget. Protect the future from repeating the past.\u201d<\/em> – HIM Sophy<\/strong><\/p>\n<\/div>\n\n\n\n

\n

\u201cSome have said that poetry after atrocity is not possible anymore, yet we need to have it. We must continue to create. We can\u2019t start mourning without knowing how, and part of knowing how is to accept something very painful, something unexplainable. This art may bring us answers, help us accept our pain and loss. Yet, it is more than an act of remembrance, it\u2019s an act of transmission and brings humanization. Something which the Khmer Rouge attempted to take away from us.\u201d<\/em> – Rithy PANH<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Trent Walker<\/h2>\n\n\n\n

Librettist<\/p>\n\n\n\n

Trent WALKER is a scholar of Southeast Asian Buddhism. He regularly performs and gives lectures on the Cambodian Dharma song (smot) tradition of Buddhist chant, having spent several years in Cambodia studying with vocal masters PRUM Ut, KOET Ran, and YAN Borin while working for Cambodian Living Arts. Trent completed his PhD in Buddhist Studies at the University of California, Berkeley in 2018, and is currently the Khyentse Foundation Postdoctoral Fellow in the Department of Thai at Chulalongkorn University, Bangkok, where his research and teaching focus on Khmer, Pali, and Thai Buddhist manuscripts. He is also coordinating an initiative of the Buddhist Digital Resource Center to make Cambodia\u2019s manuscript heritage freely available to Khmer readers online.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

Gideon Obarzanek<\/h2>\n\n\n\n

Director of Staging<\/p>\n\n\n\n

Gideon OBARZANEK is a director, playwright and choreographer. He is also an Artistic Associate with the Melbourne Festival, Chair of the Melbourne Fringe and board member of Critical Path \u2013 choreographic research centre based in Sydney. In 1995, he founded the Australian dance company Chunky Move and was CEO and Artistic Director until 2012. Under his leadership the company established itself as one of the country\u2019s most innovative, awarded and internationally recognized performing arts companies. Awards include \u2018Best Short Documentary\u2019 for Dance Like Your Old Man (Melbourne IFF, Cinedans Festival), a New York Bessie award for outstanding choreography and creation, and Australian Helpmann Awards for Glow and Mortal Engine.<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Andrew Cyr<\/h2>\n\n\n\n

Music Director<\/em><\/p>\n\n\n\n

Grammy-nominated conductor Andrew CYR, a \u201cprominent influence in the world of newly emerging music\u201d (Washington Post) is a leader in the rapidly growing contemporary music scene. His passion for creating new platforms for outstanding emerging composers and performing artists led him to found Metropolis Ensemble in 2006. His work as conductor has been described by Esa-Pekka SALONEN as \u201c\u2026precise, rhythmically incisive and fluid. He made complex new pieces sound natural and organic.\u201d In addition to championing new work from the next generation of composers, he also made his conducting debuts with The Colorado Symphony in 2013 and led the American Premiere of a new opera by David BRUCE at New Victory Theatre.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

Romyda Keth<\/h2>\n\n\n\n

Costume Designer<\/em><\/p>\n\n\n\n

Romyda KETH was born in Phnom Penh. When she was five she left Cambodia with her parents who were in the diplomatic corps. Following several years in Prague the family moved on to Paris in 1973. She studied at the the Paris School of Fine Arts and the Esmod School of Fashion Design. After working for Macy\u2019s and running her own boutique in Paris, she moved back to Cambodia in 1994, where she now operates three boutiques. Exploring the wealth of local handicrafts, embroidery techniques, the diversity of colors and high quality of Khmer silk and organza became a second love for Romyda after enjoying long hours in the design and creation stage of her women\u2019s wear lines.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

Benjamin \u2018Bosco\u2019 Shaw<\/h2>\n\n\n\n

Lighting Designer<\/em><\/p>\n\n\n\n

Bosco SHAW works primarily as a Lighting and Set Designer. His interest is in work that involves bodies and movement, how light feeds and influences the performing space and collaborations that propose alternate light sources and means. He has worked for companies and festivals in Australia and around the world. Recent design projects include: Antony HAMILTON \u2013 Meeting; Tim DARBYSHIRE \u2013 Stampede the Stampede; Dance North \u2013 Attractor, Syncing Feeling, IF_Was_; Chunky Move \u2013 It Cannot Be Stopped; Woodford Folk Festival 2015\/16 \u2013 Fire Ceremonies; Matthew SLEETH \u2013 A Drone Opera; Stephanie Lake Co. \u2013 Double Blind; Luke GEORGE \u2013 Erotic Dance; Asia TOPA \u2013 XO State.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

Brendon Boyd<\/h2>\n\n\n\n

Technical Director<\/em><\/p>\n\n\n\n

Brendon D. BOYD of BoydDesign, Inc. has been production managing and lighting concerts, theatre, special and corporate event for nearly two decades. After receiving his MFA from UCONN in 2002, Brendon moved to New York City to further his career in production, specifically lighting design. He has worked with clients such as Danny ELFMAN & Tim BURTON, Vancouver 2010 Cultural Olympiad, The Czech Symphony Orchestra, BRIC Celebrate Brooklyn! and many more. His theatre credits include William KENTRIDGE\u2019S Paper Music (Carnegie Hall), Refuse the Hour (Brooklyn Academy of Music and Yale), Carrie Mae WEEMS\u2019 Grace Notes (Yale) and others.<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n
\n

WITH THANKS<\/p>\n\n\n\n

Our Partners<\/h2>\n\n\n\n
\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Co-Organised By<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
With Support From<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
In Partnership With<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
In Partnership With<\/em><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
In Partnership With<\/em><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
In Partnership With<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
In Partnership With<\/em><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
In Partnership With<\/em><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
In Participation With<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
In Participation<\/em> With<\/em><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
In Participation<\/em> With<\/em><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
In Participation With<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
In Participation<\/em> With<\/em><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
In Participation<\/em> With<\/em><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n

PRESS & MEDIA<\/h1>\n\n\n\n

WHO IS TALKING ABOUT BANGSOKOL?
PRESS COVERAGE
ENGLISH<\/strong><\/p>\n\n\n\n

\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\n
\n
\"\"<\/a><\/figure>\n\n\n\n

Thmey Thmey<\/h4>\n\n\n\n

<\/a>Bangsokol\u2014Remembering Those Gone<\/strong><\/a>
by Michelle Vachon<\/em>
November 21, 2019
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Voice of America<\/h4>\n\n\n\n

<\/a>Phnom Penh Festival Celebrates Revival of Arts, Underscores Progress Following Cultural Decimation by the Khmer Rouge<\/strong><\/a>
by Ten Soksreinith<\/em>
November 13, 2019
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

South China Morning Post<\/h4>\n\n\n\n

<\/a>Cambodian arts festival celebrates music, dance and performance as scene thrives once again<\/strong><\/a>
by Marissa Carruthers<\/em>
August 22, 2019
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n\n\n\n

Mekong Review<\/h4>\n\n\n\n

<\/a>Hymn of hope<\/strong><\/a>
by Rachel Hughes<\/em>
May 2018
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Southeast Asia GLOBE<\/h4>\n\n\n\n

<\/a>Paying tribute to Cambodia\u2019s tumultuous <\/strong><\/a>
history through performance art<\/strong><\/a>
by Cristyn Lloyd<\/em>
May 11, 2018
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Tricycle<\/h4>\n\n\n\n

<\/a>This Buddhist Life: Him Sophy<\/strong><\/a>
by Julia Hirsch<\/em>
Spring 2018
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n\n\n\n

BBC World Service<\/h4>\n\n\n\n

<\/a>The Cultural Frontline<\/strong><\/a>
by Tina Daheley & Will Coley<\/em>
February 3, 2018
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Voice of America<\/h4>\n\n\n\n

<\/a>Khmer Rouge Survivors Create \u2018Bangsokol\u2019 to Offer Hope, Warning<\/strong><\/a>
by Chenda Hong<\/em>
December 24, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

The Boston Globe<\/h4>\n\n\n\n

<\/a>Cambodian arts take center stage in<\/strong><\/a>
 \u2018Bangsokol\u2019<\/strong><\/a>
by Zo\u00eb Madonna<\/em>
December 21, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n

HuffPost<\/h4>\n\n\n\n

<\/a>Bangsokol: A Requiem for Cambodia is a <\/strong><\/a>
Phoenix Rising from the Flames<\/strong><\/a>
by Isa Freeling<\/em>
December 21, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

The New Yorker<\/h4>\n\n\n\n

<\/a>A Musical Tribute to the Victims of the Khmer Rouge<\/strong><\/a>
by Joan Acocella<\/em>
December 18, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

News 12 Brooklyn<\/h4>\n\n\n\n

<\/a>Cambodian community honors lives lost to genocide<\/strong><\/a>
by Justine Miller<\/em>
December 18, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n\n\n\n

WBUR<\/h4>\n\n\n\n

<\/a>In Wake Of Cambodia\u2019s Genocide, Survivors <\/strong><\/a>
Create Art To Honor Their History And Heal<\/strong><\/a>
by Hannah Chanatry<\/em>
December 14, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

The New York Times<\/h4>\n\n\n\n

<\/a>Genocide Survivors Compose a <\/strong><\/a>
Requiem for Cambodia<\/strong><\/a>
by Joshua Barone<\/em>
December 13, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Voice of America<\/h4>\n\n\n\n

<\/a>Bangsokol Brings a Cambodian <\/strong><\/a>
Requiem to New York<\/strong><\/a>
by Hong Chenda<\/em>
December 2, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n

In Review<\/h4>\n\n\n\n

<\/a>Melbourne Festival: <\/strong><\/a>
A Requiem for Cambodia: Bangsokol<\/strong><\/a>
by Maria Konidaris<\/em>
October 22, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

NBC<\/h4>\n\n\n\n

<\/a>A \u2018Requiem\u2019 for Cambodian Genocide Victims Wants to Help Bring \u2018Peace to the World\u2019<\/strong><\/a>
by Kristi <\/em>Eaton|
October 18, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Arts Review<\/h4>\n\n\n\n

<\/a>Melbourne Festival \u2013 A Requiem For <\/strong><\/a>
Cambodia: Bangsokol<\/strong><\/a>
by Jason Whyte<\/em>
October 17, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n

Sydney Morning Herald<\/h4>\n\n\n\n

<\/a>Bangsokol review: <\/strong><\/a>
Moving experience as Cambodia\u2019s pain laid bare<\/strong><\/a>
by Clive O\u2019Connell<\/em>
October 15, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

The Plus Ones<\/h4>\n\n\n\n

<\/a>A requiem for Cambodia: <\/strong><\/a>
\u2018Bangsokol\u2019 at Melbourne Festival<\/strong><\/a>
by Lourdes Zamanillo<\/em>
October 15, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

The Theatre People<\/h4>\n\n\n\n

<\/a>A Requiem for Cambodia: Bangsokol<\/strong><\/a>
by Travis Handcock<\/em>
October 15, 2017
Read it!<\/a><\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n

The Melbourne Critique<\/h4>\n\n\n\n

<\/a>Bangsokol A Requiem<\/strong><\/a>
by Jessi Lewis<\/em>
October 14, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

ABC Radio National<\/h4>\n\n\n\n

<\/a>Requiem for Cambodia on The Music Show<\/strong><\/a>
by Andrew Ford<\/em>
October 14, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

Triple R FM<\/h4>\n\n\n\n

<\/a>Smart Arts (with Phloeun Prim)<\/strong><\/a>
by Richard Watts<\/em>
October 12, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n

ABC News Breakfast<\/h4>\n\n\n\n

<\/a>Rithy Panh on why we need poetry in our lives<\/strong><\/a>
by Virginia Trioli & Michael Rowlands<\/em>
October 10, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

ABC Radio Melbourne<\/h4>\n\n\n\n

<\/a>The Conversation Hour: <\/strong><\/a>
Gareth Evans and Rithy Panh<\/strong><\/a>
by Jon Faine<\/em>
October 9, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

The Australian<\/h4>\n\n\n\n

<\/a>Art of survival<\/strong><\/a>
by Jane Cornwell<\/em>
October 7, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n

The Saturday Paper<\/h4>\n\n\n\n

<\/a>Requiem of hope<\/strong><\/a>
by Jennifer Down<\/em>
September 30, 2017|
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

The Sydney Morning Herald<\/h4>\n\n\n\n

<\/a>Melbourne Festival 2017: Bangsokol evokes the horror of the Killing Fields<\/strong><\/a>
by Alice Pung<\/em>
September 18, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

AsiaLIFE<\/h4>\n\n\n\n

<\/a>Bangsokol: A Requiem for Cambodia<\/strong><\/a>
by Marissa Carruthers<\/em>
August 3, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n\n\n\n

Voice of America<\/h4>\n\n\n\n

<\/a>Bangsokol: A Requiem for Cambodia, Takes Traditional Arts Around the World<\/strong><\/a>
by Rithy Kimheng & Meng Neradey<\/em>
July 27, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Phnom Penh Post<\/h4>\n\n\n\n

<\/a>New composition highlights resilience <\/strong><\/a>
of the Cambodian people<\/strong><\/a>
by Cindy Co<\/em>
July 18, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Cambodia Daily<\/h4>\n\n\n\n

<\/a>Production Honoring Victims of <\/strong><\/a>
Conflict to Get Global Tour<\/strong><\/a>
by Michelle Vachon<\/em>
July 14, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n

Khmer Times<\/h4>\n\n\n\n

<\/a>Symphonic Khmer Rouge <\/strong><\/a>
performance to premiere in Melbourne<\/strong><\/a>
by Mark Tilly<\/em>
July 14, 2017
Read it!<\/a><\/p>\n\n\n\n

\n
<\/div>\n\n\n\n
<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"<\/a><\/figure>\n\n\n\n

VAN Magazine<\/h4>\n\n\n\n

<\/a>Protect: A Profile of Him Sophy<\/strong><\/a>
by Jeffrey Arlo Brown<\/em>
October 11, 2016
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Mekong Review<\/h4>\n\n\n\n

<\/a>Songs of survival<\/strong><\/a>
by David Hutt<\/em>
Issue 4, August-October, 2016
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

KHMER<\/strong><\/p>\n\n\n\n

\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a><\/figure>\n\n\n\n

Voice of America<\/h4>\n\n\n\n

<\/a>\u17e4\u17e0\u1786\u17d2\u1793\u17b6\u17c6\u200b\u1780\u17d2\u179a\u17c4\u1799\u200b\u179a\u1794\u1794\u200b\u1781\u17d2\u1798\u17c2\u179a\u200b\u1780\u17d2\u179a\u17a0\u1798 \u1780\u1798\u17d2\u1796\u17bb\u1787\u17b6\u200b\u17a2\u1794\u17a2\u179a\u200b\u179f\u17b6\u1791\u179a\u200b\u1780\u17b6\u179a<\/strong><\/a>
\u200b\u17a2\u1797\u17b7\u179a\u1780\u17d2\u179f\u200b\u1793\u17b7\u1784\u200b\u1780\u17b6\u179a\u200b\u179c\u17b7\u179c\u178f\u17d2\u178f\u200b\u1790\u17d2\u1798\u17b8\u200b\u1793\u17c3\u200b\u179f\u17b7\u179b\u17d2\u1794\u17c8\u200b\u1781\u17d2\u1798\u17c2\u179a<\/strong><\/a>
by Ten Soksreinith<\/em>
November 13, 2019
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

RFI \u1781\u17c1\u1798\u179a\u1797\u17b6\u179f\u17b6 \/ RFI Khmer<\/h4>\n\n\n\n

<\/a>Bangsokol a requiem for cambodia at <\/strong><\/a>
Cit\u00e9 de la Musique in Paris<\/strong><\/a>
May 23, 2018
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Voice of America<\/a><\/h4>\n\n\n\n

\u17a2\u17d2\u1793\u1780\u200b\u179a\u179f\u17cb\u179a\u17b6\u1793\u200b\u1798\u17b6\u1793\u200b\u1787\u17b8\u179c\u17b7\u178f\u200b\u1796\u17b8\u200b\u179a\u1794\u1794\u200b\u1781\u17d2\u1798\u17c2\u179a\u200b\u1780\u17d2\u179a\u17a0\u1798\u200b\u1794\u1784\u17d2\u1780\u17be\u178f\u200b\u179f\u17d2\u1793\u17b6\u178a\u17c3\u200b\u179f\u17b7\u179b\u17d2\u1794\u17c8\u00ab\u1794\u1784\u17d2\u179f\u17bb\u1780\u17bc\u179b\u00bb \u178a\u17be\u1798\u17d2\u1794\u17b8\u200b\u1795\u17d2\u178f\u179b\u17cb\u200b\u1780\u17d2\u178f\u17b8\u179f\u1784\u17d2\u1783\u17b9\u1798\u200b\u1793\u17b7\u1784\u200b\u1787\u17b6\u200b\u1780\u17b6\u179a\u200b\u1796\u17d2\u179a\u1798\u17b6\u1793<\/strong><\/a>
by Hong Chenda<\/em>
December 23, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n

Bong Press<\/h4>\n\n\n\n

<\/a>\u178f\u1793\u17d2\u178f\u17d2\u179a\u17b8 \u201c\u1794\u1784\u17d2\u179f\u17bb\u1780\u17bc\u179b\u201d \u1780\u1798\u17d2\u1796\u17bb\u1787\u17b6\u200b \u178f\u17d2\u179a\u17c0\u1798\u179f\u1798\u17d2\u178a\u17c2\u1784\u1793\u17c5\u1791\u17b8\u1780\u17d2\u179a\u17bb\u1784\u1792\u17c6\u17d7\u17e2 \u1793\u17b6\u179f\u17a0\u179a\u178a\u17d2\u178b\u17a2\u17b6\u1798\u17c1\u179a\u17b7\u1780 \u1793\u17b6\u179f\u1794\u17d2\u178a\u17b6\u17a0\u17cd\u1780\u17d2\u179a\u17c4\u1799 \u1794\u1793\u17d2\u1791\u17b6\u1794\u17cb\u1796\u17b8\u1787\u17c4\u1782\u1787\u17d0\u1799\u1793\u17c5\u1794\u17d2\u179a\u1791\u17c1\u179f\u17a2\u17bc\u179f\u17d2\u178f\u17d2\u179a\u17b6\u179b\u17b8<\/strong><\/a>
December 5, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Voice of America<\/h4>\n\n\n\n

<\/a>\u179f\u17b7\u179b\u17d2\u1794\u17c8\u200b\u1781\u17d2\u1798\u17c2\u179a\u200b\u179f\u1798\u17d0\u1799\u200b\u1791\u17c6\u1793\u17be\u1794 \u00ab\u1794\u1784\u17d2\u179f\u17bb\u1780\u17bc\u179b\u00bb <\/strong><\/a>
\u1793\u17b9\u1784\u200b\u179f\u1798\u17d2\u178f\u17c2\u1784\u200b\u1793\u17c5\u200b\u1780\u17d2\u1793\u17bb\u1784\u200b\u179f\u17a0\u179a\u178a\u17d2\u178b\u17a2\u17b6\u1798\u17c1\u179a\u17b7\u1780<\/strong><\/a>
by Hong Chenda<\/em>
November 30, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

SBS<\/h4>\n\n\n\n

<\/a>\u1780\u17b6\u179a\u179f\u1798\u17d2\u178f\u17c2\u1784\u200b\u179f\u17b7\u179b\u17d2\u1794\u17c8\u200b\u201d\u1794\u1784\u17d2\u179f\u17bb\u1780\u17bc\u179b\u201d\u200b\u1791\u1791\u17bd\u179b\u200b\u1794\u17b6\u1793\u200b\u1780\u17b6\u179a\u200b\u1782\u17b6\u17c6\u1791\u17d2\u179a\u200b\u1799\u17c9\u17b6\u1784\u200b\u1785\u17d2\u179a\u17be\u1793\u200b\u1780\u17bb\u17c7\u1780\u179a\u200b\u1793\u17c5\u200b\u179f\u17b6\u179b\u200b\u1798\u17a0\u17c4\u179f\u17d2\u179a\u1796\u200b\u1780\u17d2\u179a\u17bb\u1784\u200b\u1798\u17c9\u17c2\u179b\u1794\u17ca\u17b7\u1793<\/strong><\/a>
by Sopharany Hay & Sarim Khem<\/em>
October 14, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n\n\n\n

Sabay News<\/h4>\n\n\n\n

<\/a>\u178f\u1793\u17d2\u178f\u17d2\u179a\u17b8\u201d\u1794\u1784\u17d2\u179f\u17bb\u1780\u17bc\u179b\u201d\u1780\u1798\u17d2\u1796\u17bb\u1787\u17b6\u200b\u200b\u1798\u17b6\u1793\u200b\u178f\u1798\u17d2\u179b\u17c3\u200b\u1787\u17b6\u200b\u179f\u1780\u179b<\/strong><\/a>
\u200b\u200b\u200b\u179f\u1798\u17d2\u178a\u17c2\u1784\u200b\u1780\u17d2\u1793\u17bb\u1784\u200b\u1798\u17a0\u17c4\u179f\u17d2\u179a\u1796\u200b\u179b\u17c6\u178a\u17b6\u1794\u17cb\u200b\u1796\u17b7\u1797\u1796\u200b\u179b\u17c4\u1780<\/strong><\/a>
by Po Sakun<\/em>
October 3, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

SBS<\/h4>\n\n\n\n

<\/a>\u17a0\u17c1\u178f\u17bb\u17a2\u17d2\u179c\u17b8\u200b\u1794\u17b6\u1793\u1787\u17b6\u200b\u1796\u179b\u179a\u178a\u17d2\u178b\u200b\u1781\u17d2\u1798\u17c2\u179a\u200b\u1791\u17b6\u17c6\u1784\u200b\u1780\u17d2\u1798\u17c1\u1784\u200b<\/strong><\/a>
\u1791\u17b6\u17c6\u1784\u200b\u1785\u17b6\u179f\u17cb\u200b\u1782\u17bd\u179a\u200b\u1791\u17c5\u200b\u1791\u179f\u17d2\u179f\u1793\u17b6\u200b\u1780\u1798\u17d2\u1798\u179c\u17b7\u1792\u17b8\u200b\u179f\u1798\u17d2\u178f\u17c2\u1784\u200b\u201d\u1794\u1784\u17d2\u179f\u17bb\u1780\u17bc\u179b\u201d?<\/strong><\/a>
by Sopharany Hay<\/em>
September 16, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

SBS<\/h4>\n\n\n\n

<\/a>\u179f\u17b7\u179b\u17d2\u1794\u17c8\u1781\u17d2\u1798\u17c2\u179a\u17a2\u1798\u178f\u17c8\u178f\u17d2\u179a\u17bc\u179c\u1780\u17b6\u179a\u200b\u1796\u179b\u179a\u178a\u17d2\u178b\u200b\u1781\u17d2\u1798\u17c2\u179a\u200b\u179f\u17d2\u1798\u17d0\u1782\u17d2\u179a\u200b\u200b\u1785\u17b7\u178f\u17d2\u178f\u200b<\/strong><\/a>
\u1785\u17bc\u179b\u200b\u179a\u17bd\u1798\u200b\u179f\u1798\u17d2\u178f\u17c2\u1784\u200b\u1780\u17d2\u1793\u17bb\u1784\u200b\u1780\u1798\u17d2\u1798\u179c\u17b7\u1792\u17b8\u200b\u201d\u1794\u17d0\u1784\u17d2\u179f\u17bb\u1780\u17bc\u179b\u201d\u200b\u1793\u17c5\u200b\u1798\u17c9\u17c2\u179b\u1794\u17ca\u17b7\u1793<\/strong><\/a>
by Sopharany Hay<\/em>
August 26, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n\n\n\n

Voice of America<\/h4>\n\n\n\n

<\/a>\u179f\u17d2\u1793\u17b6\u178a\u17c3\u200b\u179f\u17b7\u179b\u17d2\u1794\u17c8\u200b\u1790\u17d2\u1798\u17b8\u200b \u00ab\u1794\u1784\u17d2\u179f\u17bb\u1780\u17bc\u179b\u00bb\u200b <\/strong><\/a>
\u1793\u17b9\u1784\u200b\u1799\u1780\u200b\u1791\u17c5\u200b\u179f\u1798\u17d2\u178a\u17c2\u1784\u200b\u1793\u17c5\u200b\u1794\u179a\u1791\u17c1\u179f<\/strong><\/a>
by Rithy Kimheng & Meng Neradey<\/em>
August 9, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Lotus Radio<\/h4>\n\n\n\n

<\/a>\u00ab\u200b\u1794\u1784\u17d2\u179f\u17bb\u1780\u17bc\u179b\u200b\u00bb \u179f\u17d2\u1793\u17b6\u178a\u17c3\u200b\u178f\u1793\u17d2\u178f\u17d2\u179a\u17b8\u200b\u1790\u17d2\u1798\u17b8\u200b\u17a2\u1794\u17cb\u179a\u17c6\u200b\u1796\u17b8\u200b\u179f\u1793\u17d2\u178f\u17b7\u1797\u17b6\u1796\u200b<\/strong><\/a>
\u1793\u17b7\u1784\u200b\u1780\u17b6\u179a\u1795\u17d2\u179f\u17c7\u1795\u17d2\u179f\u17b6\u179a\u200b\u1787\u1798\u17d2\u179b\u17c4\u17c7\u200b\u178f\u17b6\u1798\u179a\u1799\u17c8\u200b\u179f\u17b7\u179b\u17d2\u1794\u17c8<\/strong><\/a>
by Sem Pisey<\/em>
July 18, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Radio Free Asia<\/h4>\n\n\n\n

<\/a>\u1780\u17d2\u179a\u17bb\u1798\u200b\u179f\u17b7\u179b\u17d2\u1794\u1780\u179a\u200b\u1781\u17d2\u1798\u17c2\u179a\u200b\u1793\u17b7\u1784\u200b\u1794\u179a\u1791\u17c1\u179f\u200b\u1793\u17b9\u1784\u200b\u179a\u17bd\u1798\u1782\u17d2\u1793\u17b6\u200b\u179f\u1798\u17d2\u178a\u17c2\u1784\u200b\u178f\u1793\u17d2\u178f\u17d2\u179a\u17b8\u200b\u178a\u17be\u1798\u17d2\u1794\u17b8\u200b\u179a\u1798\u17d2\u179b\u17b9\u1780\u200b\u178a\u179b\u17cb\u200b\u1787\u1793\u200b\u179a\u1784\u1782\u17d2\u179a\u17c4\u17c7\u200b\u1780\u17d2\u1793\u17bb\u1784\u200b\u179f\u1798\u17d0\u1799\u200b\u200b\u1781\u17d2\u1798\u17c2\u179a\u200b\u1780\u17d2\u179a\u17a0\u1798<\/strong><\/a>
by Pry Neru<\/em>
July 14, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

FRENCH<\/p>\n\n\n\n

\n\n\n\n
\n
\n
\"\"<\/a><\/figure>\n\n\n\n

Le Petit Journal<\/h4>\n\n\n\n

<\/a>Arts4peace, un festival pour la <\/strong><\/a>
renaissance des arts cambodgiens<\/strong><\/a>
by Virginie Vall\u00e9e<\/em>
October 31, 2019
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Cambodge Mag<\/h4>\n\n\n\n

<\/a>Arts \u2013 Festival Arts4peace : <\/strong><\/a>
Trois \u00e9v\u00e9nements \u00e0 ne pas manquer\u2026<\/strong><\/a>
October 28, 2019
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Le Petit Journal<\/h4>\n\n\n\n

<\/a>Je n\u2019aurais jamais os\u00e9 r\u00eaver visiter Paris<\/strong><\/a>
by Thibault Bourru<\/em>
June 11, 2018
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n\n\n\n

Le Petit Journal<\/h4>\n\n\n\n

<\/a>Prim Phloeun : \u00ab Nous sommes <\/strong><\/a>
porteurs d\u2019un espoir cr\u00e9atif \u00bb<\/strong><\/a>
by Le\u00efla Pelletier<\/em>
June 6, 2018
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Le Monde<\/h4>\n\n\n\n

<\/a>La renaissance culturelle du Cambodge <\/strong><\/a>
est un travail de long terme<\/strong><\/a>
by Adrien Le Gal<\/em>
May 22, 2018
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

T\u00e9l\u00e9rama<\/h4>\n\n\n\n

<\/a>Au Cambodge, le futur passe toujours <\/strong><\/a>
et Angkor par la culture<\/strong><\/a>
by Christine Chaumeau<\/em>
May 11, 2018
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n\n\n\n

TV5Monde<\/h4>\n\n\n\n

<\/a>Le Cambodge d\u2019hier et d\u2019aujourd\u2019hui <\/strong><\/a>
\u00e0 l\u2019honneur \u00e0 Paris<\/strong><\/a>
by Isabelle Malivoir<\/em>
May 11, 2018
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

SBS<\/h4>\n\n\n\n

<\/a>Rithy Panh \u2013 BANGSOKOL \u2013 A Requiem <\/strong><\/a>
For Cambodia<\/strong><\/a>
by Christophe Mallet<\/em>
October 14, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n

Le Petit Journal<\/h4>\n\n\n\n

<\/a>Bangsokol, un acte de m\u00e9moire, de <\/strong><\/a>
paix et de r\u00e9conciliation<\/strong><\/a>
by Le\u00efla Pelletier<\/em>
October 11, 2017
Read it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n

Le Petit Journal<\/h4>\n\n\n\n

<\/a>Bangsokol, l\u2019acte de gu\u00e9rison<\/strong><\/a>
by Jim Baldy<\/em>
July 18, 2017
Read it!<\/a><\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
APPROVED MATERIAL FOR PRESS AND MARKETING<\/h5>\n\n\n\n

MULTIMEDIA<\/h2>\n\n\n\n
\n\n\n\n
Txt: What Who When Why<\/a><\/td>Txt: Background<\/a><\/td>Txt: Biographies<\/a><\/td>Txt: Credits<\/a><\/td>Txt: Libretto<\/a><\/td><\/tr>
Txt: Performance Notes<\/a><\/td>Txt: Quotes<\/a><\/td>Txt: Specs & run-time<\/a><\/td>Txt: Press<\/a><\/td>Vid: Vimeo<\/a> & YouTube<\/a><\/td><\/tr>
Logo CLA<\/a><\/td>Logo THE OFFICE<\/a><\/td>Logo Bangsokol: Full<\/a> & Text<\/a><\/td>Pic: Rithy PANH<\/a><\/td>Pic: HIM Sophy<\/a><\/td><\/tr>
Pic: Trent WALKER<\/a><\/td>Pic: Gideon OBARZANEK<\/a><\/td>Pic: Cambodian Ensemble<\/a><\/td>Pic: CHUMVAN Sodhachivy<\/a><\/td>Pic: Film 1<\/a><\/td><\/tr>
Pic: Film 2<\/a><\/td>Pic: Film 3<\/a><\/td>Pic: Performance 1<\/a><\/td>Pic: Performance 2<\/a><\/td>Pic: Performance 3<\/a><\/td><\/tr>
Pic: Performance 4<\/a><\/td>Pic: Performance 5<\/a><\/td>Pic: Performance 6<\/a><\/td>Pic: Performance 7<\/a><\/td>Pic: Performance 8<\/a><\/td><\/tr>
Full package: ZIP<\/a><\/strong><\/td><\/td><\/td><\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n
OFFICAL COMMUNICATION BY CAMBODIAN LIVING ARTS<\/h5>\n\n\n\n

PRESS RELEASES<\/h2>\n\n\n\n

<\/p>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n

Press Release: November 16, 2017<\/h4>\n\n\n\n

<\/a>Bangsokol: A Requiem for Cambodia premieres in the US 40 years since the Cambodian genocide<\/strong><\/a>
by Cambodian Living Arts<\/em>
November 16, 2017
Download it!<\/a><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

Press Release: August 24, 2017<\/h4>\n\n\n\n

<\/a>Bangsokol: A Requiem for Cambodia to premiere nearly 40 years after the Cambodian genocide<\/strong><\/a>
by Cambodian Living Arts<\/em>
August 24, 2017
Download it!<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n

Press Release: July 4, 2017<\/h4>\n\n\n\n

<\/a>Powerful New Piece by Him Sophy and Rithy Panh<\/strong><\/a>
by Cambodian Living Arts<\/em>
July 4, 2017
Download it!<\/a><\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

THE STORY Bangsokol: A Requiem for Cambodia is a multi-disciplinary stage production combining music, film, movement and voice. HIM Sophy\u2019s composition embraces musical traditions from both Cambodia and the West, while Rithy PANH\u2019s poetic visuals tell the story of Cambodia\u2019s tragedy. Bangsokol hopes to serve as an inspiration for post-conflict societies around the world \u2013 […]<\/p>\n","protected":false},"author":1,"featured_media":410,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"no-title","format":"standard","meta":{"footnotes":""},"categories":[3,4],"tags":[],"class_list":["post-175","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-events"],"_links":{"self":[{"href":"https:\/\/www.cambodianlivingarts.org\/kh\/wp-json\/wp\/v2\/posts\/175"}],"collection":[{"href":"https:\/\/www.cambodianlivingarts.org\/kh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cambodianlivingarts.org\/kh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cambodianlivingarts.org\/kh\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cambodianlivingarts.org\/kh\/wp-json\/wp\/v2\/comments?post=175"}],"version-history":[{"count":5,"href":"https:\/\/www.cambodianlivingarts.org\/kh\/wp-json\/wp\/v2\/posts\/175\/revisions"}],"predecessor-version":[{"id":940,"href":"https:\/\/www.cambodianlivingarts.org\/kh\/wp-json\/wp\/v2\/posts\/175\/revisions\/940"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cambodianlivingarts.org\/kh\/wp-json\/wp\/v2\/media\/410"}],"wp:attachment":[{"href":"https:\/\/www.cambodianlivingarts.org\/kh\/wp-json\/wp\/v2\/media?parent=175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cambodianlivingarts.org\/kh\/wp-json\/wp\/v2\/categories?post=175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cambodianlivingarts.org\/kh\/wp-json\/wp\/v2\/tags?post=175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}