OUR WORK: Script Writing For The Stage

PROGRAM: Arts Development

AIMED AT: Writer, scriptwriter, playwright

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Are you a scriptwriter OR playwright OR would you like to tell stories through the stage? Your chance is COMING NOW! You can submit your new completed script that should fit the theme “Expressing Identity: Them and Us”. Best scripts or selected plays will be awarded 400 USD and will also be presented as staged reading during our Cultural Season.

Criteria:

  • Be a new script-writing and haven’t performed  before
  • Fit the theme “Expressing Identity: Them and Us”
  • Be up to 20 pages and 5 characters
  • 2 to 4 selected candidates will be awarded 400 USD each
  • Selected play will be presented as staged reading in 2020 Cultural Season
  • Candidates who previously received this opportunity are not eligible to apply

Download the application form below or contact 086 895 556 or chandaly@cambodianlivingarts.org for more information

Introducing the theme and what cultural season is

The world is changing and so is Cambodia. With these changes and development (globalization, immigration…etc.), some view this as a threat to “Cambodian Identity/Pure Culture”. With this current context, what do we mean by “Cambodian Identity, i.e. to remain the same or to extend the definition to respond to changes with time and space and who has a right to (re)define it? With 90% of Cambodia’s population being Khmer Ethnicity as majority, so how are different minorities (including indigenous people, Vietnamese, Cham, Chinese and Lao) integrated? Does the emergence of the diverse expressions (contemporary arts form, visibility of LGBT…etc.) necessarily mean an opposition to dominant culture? How are they represented and from which point of view? Can all these different groups be together as “us” or should be separate from each other as “them”?”

Learn more about 2018 Cultural Season

Cultural Season is funded by:

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commissions

Giving artists the chance to create work is one of the best ways to encourage creativity and expression. We regularly “commission” new projects. Some recent projects include:

Commission: Kakei
Form: Yike (opera)
Artists: UY Ladavan & Yike Amatak
This was co-commissioned with Plerng Kob. Kakei is a traditional piece of Yike repertoire. However the troupe wanted to present it with a new angle, to question society’s expectations of women. The production premiered Bon Phum (Village Festival) in April, and has since been performed at locations around Phnom Penh in June – August.

Commission: Prolung Skor Chey
Form: Percussion and dance
Artists: Female artists from Sounds of Angkor troupe, with SUON Sopheak

Female artists from Sounds of Angkor created a 20-minute piece demonstrating leadership roles from women in the arts. This was performed at Pannasastra University of Cambodia, Siem Reap, in January.

Commission: Traditional Dance
Form: Classical and folk dance
Artists: PHAL Saravuth, with Yu Vek Selapak

Yu Vek Selapak performs regularly in our Traditional Dance Show at the National Museum. In January we commissioned them to develop three new pieces: Melody of Drums, Tbal Kdoeurng, and The War of Pinunjit & Hanuman.

Commission: Pin Panchapor
Form: Dance and music
Artists: HANG Rithyravuth

This was our first collaboration with RUFA’s Faculty of Music. HANG Rithyravuth directed this piece which mixes contemporary and classical dance, with traditional music and martial arts. The dynamic story was inspired by Professor. HANG’s research into the well-known episode from Reamker, The Churning of the Milk Sea. The piece was first performed in May 2017 to a packed crowd at the National Museum of Cambodia

Commission: Healing Workshop
Form: Contemporary Dance
Artists: CHEY Chankethya, with Amrita Performing Arts

In March 2017, we commissioned a therapeutic project aiming to use dance as a way to heal trauma. The audience watched a solo performance by CHEY Chankethya on the theme of body memory, before taking part in an interactive and creative workshop.

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