គម្រោងមូលនិធិដំឡើងស្នាដៃថ្មីក្នុងឆ្នាំ២០២៥នេះ នាំមកជូននូវមូលបទ «វិវត្ត»។ យើងសង្កេតឃើញថាអស់រយៈកាល ៥០ឆ្នាំមកហើយ បន្ទាប់ពីការដួលរំលំនៃទីក្រុងភ្នំពេញនិងការចាប់ផ្តើមនៃរបបខ្មែរក្រហម។ គម្រោងមូលនិធិក្នុងឆ្នាំនេះ មានបំណងរំលេចរឿងរ៉ាវផ្សេងៗអំពី ការវិវត្តរបស់កម្ពុជាតាមរយៈសិល្បករបីជំនាន់។ នេះគឺជាឱកាសក្នុងការឧទ្ទិស និងចងចាំចំពោះព្រឹត្តិការណ៍ប្រវត្តិសាស្រ្តដ៏សំខាន់នេះស្រប ពេលជាមួយគ្នានេះវាក៏ជាពេលវេលាដ៏សំខាន់ក្នុងការឆ្លុះបញ្ចាំង អំពីដំណើរការវិវឌ្ឍរបស់កម្ពុជាផងដែរ។ តើវិស័យសិល្បៈកម្ពុជាមានការ ផ្លាស់ប្តូរយ៉ាងដូចម្តេចខ្លះពីមួយជំនាន់ទៅមួយ ជំនាន់បន្ទាប់ពីសម័យកាលខ្មៅងងឹតនោះ? តើការបង្ហាញចេញនូវរឿងរ៉ាវផ្សេងៗតាមបែប សិល្បៈ (អំពីបរិស្ថាន នគរូប នីយកម្ម ។ល។ ជាទម្រង់ របាំ ល្ខោន តន្រ្តី ក្តី បានផ្លាស់ប្តូរយ៉ាងដូចម្តេចក្នុងបរិបទសង្គមដែលផ្លាស់ប្តូរឥត ឈប់ឈរនេះ?
ក្រោមប្រធានបទ «វិវត្ត» ពួកយើងសូមអញ្ជើញសិល្បករ សហគមន៍សិល្បៈ ដែលជាយុវជនជំនាន់ថ្មីដែលមានសក្ដានុពល និងទេព កោសល្យសិល្បៈឱ្យមកចូលរួមជាមួយពួកយើងក្នុងដំណើរស្វែងរកចម្លើយនិងអត្ថន័យ ដើម្បីឆ្លើយតបទៅនឹងសំណួរខាងលើតាមរយៈការ បង្ហាញនូវស្នាដៃសិល្បទស្សនីយភាពដែលមានភាពច្នៃប្រតិដ្ឋនិងភាពចម្រុះ។
សម្រាប់ឆ្នាំ២០២៥នេះ មូលនិធិដំឡើងស្នាដៃថ្មីនៅតែរក្សារចនាសម្ព័ន ៣ស្រទាប់ដដែលមានដូចជា៖
មូលនិធិទី៣៖ «មូលនិធិសម្រាប់ការធ្វើបទបង្ហាញ» ថវិកាចំនួន ១០០០ដុល្លារអាមេរិក សម្រាប់ឱ្យអ្នកទទួលមូលនិធិយកទៅ ប្រើប្រាស់ដើម្បីដាក់បង្ហាញស្នាដៃនៅពេលបញ្ចប់
មូលនិធិទី១៖ «មូលនិធិសម្រាប់អនុវត្ដគម្រោង» ថវិកាចំនួន ៣០០០ដុល្លារអាមេរិក សម្រាប់ឱ្យអ្នកទទួលមូលនិធិយកទៅអនុវត្ត ដំណើរការនៃការដំឡើងស្នាដៃ
មូលនិធិទី២៖ «មូលនិធិសម្រាប់អ្នកប្រឹក្សាផ្នែកសិល្បៈ» ថវិកាចំនួន ១០០០ដុល្លារអាមេរិក សម្រាប់ឱ្យអ្នកទទួលមូលនិធិធ្វើការ ជាមួយអ្នកប្រឹក្សាផ្នែកសិល្បៈ
New Creations Grantees 2025
Sok Nalys
Nalys graduated from the Roval University of Fine Arts and has performed as well as choreographed performances both locally and internationally since 2007. In the second decade of her career as a dancer, Nalys shifted some of her interest to researching ancient art forms and has always been inspired by the heroic examples of important figures in art. Nalys continues to expand her role in the arts with a vision: “Art can truly be a tool that highlights realities of society and contributes to the harmony in the nation.”
Poetic drama “Trialogue”
“Trialogue” will be staged in the form of a poetic drama, which mostly expresses social realities, is educational, and has a beautiful sound. The artwork, titled Trialogue, explores the evolution of Cambodia from the rise of the Democratic Kampuchea regime until the present day through the roles and influences of key peoples. Why did the revolution target artists, intellectuals, and capitalists? How have they influenced the process of restoring Cambodia to the present day? The artwork titled “Trialogue” will reveal these answers.
MeDha Women Drummers
Medha is the first group of Womendrummers in Cambodia. Medha started in 2017 and we used to be under the control and assistance of Cambodia Living Art.The reflection of performing is the art of storytelling of how we struggle with of the society that thinks that women cannot play this heavy drum. We used this music instrument as a voice to change and show the potential as a women in society and artistic.
Red River
The female drum artists went through three periods of the COVID-19 era, reliving their life experiences, including struggle, confusion, shock, and disappointment, but finally succeeding it. The female drum faced the great obstacles of the COVID-19 era. Society forced all the female artists to separate and abandon their performances, for a living. But the voice of art made one woman brave enough to start again alone. What she didn’t know was that her enthusiasm inspired the entire group of women to stand up and fight again, making the female drumming group famous for their amazing performance.
Cheng Ratana
Ratana is a writer who has been involved in the field of writing since childhood, beginning with short stories and gradually evolving into short novels and poetry. In addition to literature, he enjoys exploring other art forms such as film, music, dance, and theater. Currently a student at the Acting Art Academy, Ratana is deepening his understanding of acting, directing, and developing creative ideas in both film and theater.
The contemporary play Timeless Echoes: HEMAKCHEAT
The contemporary play Timeless Echoes: HEMAKCHEAT explores memory, life, and love within a historic building in the heart of Phnom Penh, journeying through a glorious past, a time of darkness, and a complex present. This exploration ultimately becomes a bridge, connecting all these stories with a hopeful reminder that the soul of art lives on.
Prom Vorleak
Prom Vorleak is an actress who is currently developing herself to become a stage director, with an interest in documentary theater—inspired by the works of American actress, playwright, and professor Anna Deavere Smith—a style that blurs the boundaries between theater, performance art, and advocacy. Informed by Khmer literature and literary criticism, Prom’s ongoing project, Our Value, explores the resilience and vulnerability of women’s bodies and their relationship to “law” and (in)justice.
The Tragedy of KAKEI
The Tragedy of KAKEI, a working title currently in the conceptualization phase, is an interdisciplinary performance project that explores the resilience and vulnerability of women’s bodies and their relationship to “law” and (in)justice. The project also aims to unearth the repressed voices of women in Khmer literature and to incorporate the contemporary voices, experiences, and stories of Cambodian women shared on social media. Informed by the famous 1815 Khmer literary work, Neang Kakey, by King Ang Doung, and the analysis of this novel by Vandy Kaon, the staging of The Tragedy of KAKEI will be realized by deploying the “walk and talk” storytelling technique (borrowed from playwright Aaron Sorkin, the technique is designed to create a sense of energy, urgency, and momentum) and by incorporating live-streaming (using cameras), projection (of movie clips, archives, and reels), dance, and music. The project seeks to “rewrite,” reconstruct, and retell Khmer literature that has been told from men’s perspectives (whether it is the king, the writer, or the narrator), turning the focus to women’s perspectives. As the term Kakei in Khmer became synonymous with female infidelity and the societal dangers faced by women who engage in adultery, The Tragedy of KAKEI is to challenge and complicate this long-held view by incorporating real-life voices and stories, creating a unique theatrical adventure and experience that sparks dialog and conversation.
New Creations Grantees 2024
Yon Mondeth
My name is Yon Mondeth, I am 25 years old. I was born in Pao village, Ta Veng Krom commune, Ta Veng district, Ratanakkiri province. I graduated from high school in 2017 in Ratanakkiri province. I have now graduated from the Royal University of Fine Arts with a degree in Classical Guitar. I decided to learn this skill because I wanted to be an artist, songwriter and music teacher. I want to use this skill to promote and preserve indigenous traditional music and Khmer traditional music as well.
Virak Vinich
Virak Vinich, is a professional actress and director based in Cambodia. She also works as a Technical Advisor on Social Behavioral Change Communication for an International NGO. She has trained as a professional actress at The Acting Art Academy for 2 years where she got to interpret many roles in numerous live art performances. To explore in-depth into art and film, she has built on passion and commitment to write and direct. She wishes to see the growth of young Cambodian artists and collective energy through her work.
Kim Socheat
Kim Socheat is a member of the dance group of Epic Art, Kampot province. He is currently on a mission as a contemporary dancer as well. He is very happy to be a contemporary dancer with a disability in Cambodia. He tries to continue this work because he wants to promote disability in the arts to a wider range of people with disabilities.
Vannak Vong
Vannak Vong is a dedicated artist that his creative work includes designing, performing, drawing, choreography and teaching. Currently, He teach circus at the Secondary School of Fine Art and the part-time leacher’s costume design field at RUFA. Vannak has been participating actively for performing Art and costume design activities, His purpose to promote and develop Khmer culture permanently, He also wants to educate the new generation’s mindset to become perfectly person in the society.
Organized by:
Funded by:
